Yesterday's chart is still drying. I need to get a better glazing medium, probably some sun thickened oil. Until then, thin mixes with linseed oil do dry slowly and don't provide for much durability. But, it's just fine for practice.
I'm working with those same glazes here and they remind me of the delicacy of egg tempera. I think I'm leaning towards the thin and smooth oil painting, that is compared to an impasto or alla prima method. This is a small painting, only about 5" wide. The pastel assignment in my upcoming course is framed as a landscape. This piece could just be my pattern.