Dry Brushing Technique

This evening rather than glazing per se I applied thin layers with a dry try technique. I found that I had to get the brush nearly void of paint like I do when glazing. I could drop in details with concentrated paint and strong glazes with slightly watered down paint. I think I'm catching on to the balance between glazing and stronger applications--they both have a place.

This might appear obvious, as it now does to me, but it's something that I seem to have overlooked.